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Related: Culture Forums, Support ForumsLast Friday night in Dallas--yeah, he has gotten older, but he's still my hero
This first time I saw Leo Kottke live was in 1972. I went with two friends who were there to see the main act, the Mahavishnu Orchestra. They had never even heard of Leo Kottke, who was 27 at the time.
In those days, Leo was the god of the 12 string guitar. He'd just sit down, pick up his 12 string, and just smile. Then, he would unleash a wall of virtuosity the likes of which I had never thought imaginable. Every tune full of melodic genius and imagination, speed and clarity, and he left the audience trying to figure out where the other four guys were that had to have been playing with him, because nobody could play like that solo. Except, he did. Not only that, he had a deep booming bass voice that was totally incongruous with his baby face.
I saw him several times over the decades, but it has been well over 20 years since I had seen him last. He is now 80, and he finally looks his age. A minor stroke has affected his singing voice, which he uses only sparingly, and he doesn't even go for the lightning speed of his early years. However, he still retains his perfect sense of melody and syncopation. His style is still unique, and has that "can't quite duplicate it" aspect that is the sign of true virtuosity. He doesn't imitate a style--he created one that countless other guitarists, including yours truly, have tried to imitate and failed miserably.
The audience in Dallas was in the hundreds, not the thousands of forty years ago, and the average age seemed to be somewhere between 60 and 70, several exceptions noted. But the place (the Kessler Theater) WAS sold out, and he didn't disappoint. After his last number, we weren't about to let him go, although we had to clamor for an encore for almost five minutes. When he finally came back, he explained that we weren't supposed to do that, because the last piece of his program WAS the encore. We laughed, but didn't let him go. To indicate that there would be one encore only, he came out with a six string guitar and did a soft, perfect note for note brilliant tribute to Duane Allman with "Little Martha."
It was an expensive detour I had to make to see him. I was near Chicago Friday morning, and was planning to return to Germany from there. But when I found that Leo Kottke was performing in Dallas Friday night, I changed things around, and flew back down here Friday morning (2 hours late due to a storm, of course). So, this morning (Sunday), I pack, again, and will take the Air France flight to Paris this afternoon, and then an onward flight to Düsseldorf a few hours after landing at CDG tomorrow morning.
I don't know if I'll ever get the chance to see Leo Kottke perform again, but if not, I'm happy to remember this show as a soft landing for one of the most influential and consequential American acoustic guitarists that ever lived.

Nittersing
(7,182 posts)Well worth the detour!
Easterncedar
(4,281 posts)I cant believe hes 80. I love his style.
MuseRider
(34,603 posts)I have some people I cannot imagine never seeing again. Sadly they do not come around here much or they are so darned expensive we will not be going. Venue pricing is killing a lot of us. We had decided to save so we could see those we loved then all of a sudden ticket prices became just crazy.
I am always so happy to see this because of your love for the music and the man who could bring that to you. That is what it is all about. Being a musician, retired sadly, it is always exciting even if you were not there yourself.
DFW
(57,825 posts)Perry Miller ("Jesse Colin Young" ) came to a small venue in Truro on Cape Cod. I couldn't believe my luck. He had a younger band with him (Youngbloods Jerry Corbitt and Joe Bauer were no longer with us anyway), and they were top rate. Mostly students from Boston's Berklee School of Music. His lead guitarist was from Malaysia, and that guy stuck with him for a while. I was always hoping he'd come back, but he died earlier this year. At least Graham Nash is coming back! Sadly, the venue in Truro has never had Leo Kottke. Maybe Truro can't afford him, although if they can afford Graham Nash, you'd think they could afford Leo!
MuseRider
(34,603 posts)CSN came by and we got to see them, it was wonderful. I also got to one of those special treats with David Crosby. It was a small venue in Kansas City, not even remotely expensive. He talked about all kinds of things in his life, experiences he had both good and bad. One of his sons was there and that was fun. He played a ton. I was so tired from a 12 hour night shift in the ICU followed by more hours so I could get the evening off to go to this thing. I probably dozed more that I wanted to but it was still going on when I would bob back in. I LOVE those kinds of gigs. Not many do them I do not think. Sorry, I do not know why this popped into my head. Anyway, the next day I got a thank you letter from probably his secretary but supposedly signed by him thanking all of us, by name, for hearing his story and listening to him fiddle around with new music and some of the older songs that his son played and sang with him. OH yes, the boat stories. These people have so much to tell us not only through the music. I felt like I had lived another life entirely, or maybe that was my dozing? Getting to hear personal favorites is always the greatest time of all.
erronis
(19,242 posts)Thank you. I could almost imagine being there.
MuseRider
(34,603 posts)LisaM
(29,125 posts)It was right after COVID, and a local venue that seats 700 had three fantastic shows all over n the same 14 months or so, Richard Thompson, Rufus Wainwright, then Graham Nash, all for under $100. All the shows were amazing. They haven't had anything remotely comparable since, but I am glad I caught those three.
cachukis
(3,115 posts)Paladin
(30,269 posts)I saw him in Dallas as well, back in the 1970's; seems to me it was in connection with SMU. Glorious performance, lively audience---I got a smile out of Leo when I hollered out a request for "Living In The Country." One of the greatest guitar players, ever...
rubbersole
(9,722 posts)That absolutely made my week.
Bo Zarts
(25,981 posts)I have a funny story about Duane Allman's Little Martha. First though, Kottke called Little Martha "the most perfect guitar song ever written." Hard to disagree with that. Dickey Betts loved playing it, too.
But my story: My dog Sirius hated doorbells .. they drove him nuts. Play a descending major third on the piano or guitar, and Sirius would run to the door barking. In about 2003, I started a series of road trips between Dallas and Brevard, NC, to a mountain house we we had purchased in Transylvania County.
I always carried the two dogs with me on the trips to NC, Sirius and a young Nick-Nick, and a lot of CDs for the road. The Allman Bros. "Eat a Peach" was one of my favorite albums.
Well, I had to stop playing Little Martha because the guitar doorbell riff, a descending E-major third, drove Sirius wild. He wouldn't ride in a car kennel (but Nick loved the kennel cage, thankfully), so it was downright dangerous to have Sirius hopping all over the car barking at a doorbell. And it happens at least twice in the song.
Back to Leo Kottke .. his was the best ever cover of Little Martha.
erronis
(19,242 posts)Firestorm49
(4,356 posts)highplainsdem
(55,565 posts)are continuing make music and do live shows. It's not only a gift for their fans, but good for the musicians as well to have these shared celebrations of their music.
Music at its best is life-sustaining.
Lochloosa
(16,518 posts)Ohioboy
(3,638 posts)I had the honor of seeing him in concert once.
I love his use of alternate guitar tunings.
DFW
(57,825 posts)But after hearing Watermelon in open D and Busted Bicycle in open C, I was off exploring new guitar galaxies again.