General Discussion

Taylor Swift's Last Album Sparked Bizarre Accusations of Nazism. It Was a Coordinated Attack

Data analysis of social media posts painting the singer as a Trump supporter or white supremacist revealed a network of inauthentic accounts

...
Soon, online discussion of the [The Life of a Showgirl] album turned extreme in ways that many found bewildering. There were social media posts accusing Swift of implicitly endorsing the MAGA movement, trad-wife gender norms, and even white supremacy with dogwhistle references. While the far-right have been known to claim the singer as an icon of “Aryan” greatness despite her record of championing Democrats and liberal values — and President Trump himself has blithely and disingenuously shared AI-generated imagery depicting her as a supporter — this was a noticeably divergent trend, an apparent attempt to cancel Swift for those presumed affiliations. The attacks largely focused on specific word choices (her use of the term “savage” on the song “Eldest Daughter” was interpreted as racist) and symbols (a necklace for sale on her website stirred up Nazi comparisons because its lightning bolt charms bore a passing resemblance to the bolt pattern worn by the SS).
...

Editor’s picks

What Swift’s defenders didn’t realize, however, was that they were pushing back against a false narrative that had been seeded and amplified by a small network of inauthentic social accounts. Worse, they were helping to disseminate those bad-faith allegations by earnestly engaging with them.

That’s according to new research from GUDEA, a behavioral intelligence startup that tracks how such reputation-damaging claims emerge and go viral on the internet. In a white paper examining more than 24,000 posts and 18,000 accounts across 14 digital platforms between Oct. 4 (the day after The Life of a Showgirl came out) and Oct. 18, shared first with Rolling Stone, the firm concluded that just 3.77 percent of accounts drove 28 percent of the conversation around Swift and the album during that period. This cluster of evidently coordinated accounts pushed the most inflammatory Swift content, including conspiracy theories about her supposed Nazi allusions, callouts for her theoretical MAGA ties, and posts that framed her relationship with fiancé Travis Kelce as inherently conservative or “trad,” with all of this framed as leftist critique.

Once the provocations were injected into the Swift discourse — often they appeared in edgier online forums like 4chan or KiwiFarms before migrating to popular social apps — they were organically sustained by the people challenging them on mainstream platforms. This, in turn, algorithmically reinforced their visibility. “The false narrative that Taylor Swift was using Nazi symbolism did not remain confined to fringe conspiratorial spaces; it successfully pulled typical users into comparisons between Swift and Kanye West,” the researchers wrote. “This demonstrates how a strategically seeded falsehood can convert into widespread authentic discourse, reshaping public perception even when most users do not believe the origin.
...
The more recent, Swift-focused activity of these accounts may indicate the owner(s) dipping a toe in the water before pursuing other ends with this network in the future. After all, while [Blake] Lively has argued that [Justin] Baldoni is trying to sabotage her career with bot-driven commentary, it’s not immediately clear what anyone stands to gain from painting Swift as a closet MAGA voter.

“When we put our doomsday hat on, I think we can see that reality,” Paul says of the test-run scenario. It could be, she speculates, “that there might be other nefarious actors, not U.S.-based, who have reasons to see, ‘If I can move the fan base for Taylor Swift — an icon who is this political figure, in a way — does that mean I can do it in other places?’”

https://www.rollingstone.com/music/music-news/taylor-swifts-social-media-campaign-life-of-a-showgirl-1235480646/